Sunday, February 04, 1990

CHEAP TRUTH TOP TEN

This list, by guest grump Sue Denim, is all recent stuff (within the last year, at least) and should be fairly easy to find.

  • BEST OF CHARLES BEAUMONT -- Known for his Twilight Zone work, his short fiction is brilliant, literate, and a vast range of styles and moods. Bantam.
  • THE TRANSMIGRATION OF TIMOTHY ARCHER by Philip K. Dick -- the Master's last book, a change of pace in tone and style but still brilliant and haunting. Timescape.
  • THE MAN WHO HAD NO IDEA by Thomas M. Disch -- Bizarre and highly literate collection that fairly shimmers with wit. Bantam.
  • RIDDLEY WALKER by Russel Hoban -- The made-up language is a pain in the ass, but the extra work is worth it. Grim but deeply moving post-apocalypse. Washington Square.
  • THE UNREASONING MASK by Philip Jose' Farmer -- Wildly inventive, and if not in a stylistic league with Disch or Hoban, at least Farmer is coherent and readable here (as opposed to, say, the last couple of Riverworld books). Berkley.
  • COURTSHIP RITE by Donald Kingsbury -- Earth's descendants reduced to near savagery on an alien world -- but wait. This is the real thing, intricately designed and fiercely imagined. Timescape.
  • THE WAR HOUND AND THE WORLD'S PAIN by Michael Moorcock. His best in years, carefully crafted, full of surprises and convoluted characters. Timescape.
  • THE SNARKOUT BOYS AND THE AVOCADO OF DEATH by Daniel M. Pinkwater -- You'll have to look in the "Young Adult" section for this one, but do it anyway. Brilliant satire by a genuine mad genius. Signet.
  • THE GOLDEN SPACE by Pamela Sargent -- Fixup of several stories, with filler material, but it really does work as a novel. Immortals and their genetically altered children raise serious issues. Strong characters. Timescape.
  • A ROSE FOR ARMAGEDDON by Hilbert Schenck -- This guy is weird and doesn't seem to know how books are supposed to be written, which is a real relief sometimes. Once this one gets rolling (and it does take its time) you won't want to stop. Timescape.

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